An interesting interview with Steve Lawes, a freelance cinematographer.
By Mary Jo Watts (mid0nz)
I’m hopelessly, obsessively besotted with BBC Sherlock. It’s impossible for me to temper my enthusiasm for Steven Moffat and Mark Gatiss’s modern adaptation. At 43 years old, I’m proud to call myself an unabashed fangirl of the show and to count myself among the millions of others who comprise its global fandom.
It was when I watched the credits roll on The Great Game, season one’s gripping cliffhanger, that I realized I’d become utterly immersed in the Sherlock universe because of its stunning visuals. Part of the plot of that episode has to do with a Vermeer painting and it delighted me that a pivotal scene had been lit in homage to the Dutch master.
Those credits revealed to me that it was…
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